Issachah Savage
The profile of American tenor Issachah Savage was dramatically raised when he swept the boards at Seattle’s International Wagner Competition in 2014, taking First Prize, Audience Prize and Orchestra Favourite award.
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The profile of American tenor Issachah Savage was dramatically raised when he swept the boards at Seattle’s International Wagner Competition in 2014, taking First Prize, Audience Prize and Orchestra Favourite award.
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Mezzo-soprano Taylor Raven is in her third-year of the Domingo-Colburn-Stein Young Artist Program at the Los Angeles Opera. This season, she sings Zweite Dame in the Kosky production of Die Zauberflöte conducted by James Colon.
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Angel Blue has established herself as one of the most important sopranos before the public today. She opened the Metropolitan Opera’s 2019/2020 season as Bess in a new production of George Gershwin’s Porgy and Bess, which she reprised at the Met in Fall 2021; this production immediately followed her triumphant role debut as Destiny/Loneliness/Greta in the Met’s historic 2021/22 season opener of Fire Shut Up In My Bones, the first production at the Metropolitan Opera by a Black composer. Additionally, she was the 2020 recipient of the Met’s prestigious Beverly Sills Award.
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Kirill Gerstein’s heritage combines the traditions of Russian, American and Central European music-making with an insatiable curiosity.
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Since the beginning of her career, Norwegian trumpeter Tine Thing Helseth has championed the trumpet repertoire amongst audiences on all six continents, meriting the highest critical praise for her soulful, lyrical sound and collaborative approach to music-making.
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Born in Tokyo and beginning her musical career in Montréal and New York, violinist Karen Gomyo has recently made Berlin her home. A musician of the highest calibre, the Chicago Tribune praised her as: “…a first-rate artist of real musical command, vitality, brilliance and intensity”.
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Keith Jameson, tenor, a native of South Carolina, recently appeared as Bardolfo in Robert Carsen’s new production of Falstaff at the Metropolitan Opera, conducted by James Levine, and seen “Live from The Met in HD” movie theaters around the world.
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Deniz Uzun gave her first concert at the tender age of 6. Supported from an early age, her performances regularly took place both on the opera stage of the Nationaltheater Mannheim, and at concert events in Germany and abroad.
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Born in Lancashire, bass Brindley Sherratt studied at the Royal Academy of Music, of which he is now a Fellow and Visiting Professor.
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Pavol Breslik became famous as a Mozart tenor, was Idamante (Idomeneo) at the reopening of the Munich Cuvilliès Theatre, Ferrando (Così fan tutte) at the Met in London and Belmonte (Entführung) several times in Munich.
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